A single artwork

This Story is Far from Over

“In Esperia, a portrait of a forgotten artist and a former secret service agent is interlaced with a personal narrative depicting the filmmaker’s relationship with her fading grandfather.” Hakim Bishara reviews Haidi Motola’s new film revealing her grandfather Jacques Motola’s double identity as an Israeli painter and secret service agent in Egypt.

Emergency Takeoff: on Halil Altindere’s Köfte Airlines

"Köfte Airlines retraced a trail uncannily similar to that of its subject, from Germany to Turkey and back along a zigzag of uprooted expectations." Matt Hanson writes about Halil Altindere's work in the context of the refugee crisis, as well as the effects of the current oppressive political climate in Turkey on artists and cultural practitioners.

Blood Spatter

Crop Marks, Sharif Waked’s latest work, is a life-size photographic self-portrait of the artist with his head cut off. Alma Mikulinsky writes about this beheading drama and tries to understand our fascination with images of head amputations, such as Henri Regnault’s painting of the brutal execution in Granada and Ned Stark’s decapitation in Game of Thrones.

In Tlilli, in Tlapalli

Writing about Josh T. Franco’s work “In Tlilli, In Tlapalli: Three Tejanos in Red and Black,” Rotem Rozental follows the migration and reincarnation of individuals, colors, ideas, and legacies between New York City and Marfa, TX.

You are not Nervous, but You Should Be

In a tale full of suspense, surveillence, interrogation, secret meetings, and covert conversations, artist Tea Tupajić describes the 2-year process of devising a new performance work in Tel Aviv, which involved Mossad and Shin Bet officers. A new essay in Tohu Magazine: we recommend reading it in one sitting.

Upon Emergent Occasions

Using 21st Century representational technologies, Brooklyn-based artist Carla Gannis tells stories through a “digital looking glass”, where reflections on power, sexuality, marginalization, and agency emerge. She is fascinated by digital semiotics and the situation of identity in the blurring contexts of the real and the virtual.

Stealing from a Thief

What did Michal BarOr do with the Pandora’s Box A. has left on her doorstep? Yair Barak describes the circles of guilt engendered by BarOr’s work, A Non-Private Collection, about a stolen suitcase full of photographs, with hope at the bottom.

Boy with a Camera

In 2008-2009 David Reeb documented Ni'lin's struggle against the construction of the Separation Fence. In this short text he focuses on one of his paintings that came out of this activity