In a very personal writing style, Liz Rosenfeld writes about relationships, memorials, illness, love, the queer body and the experience of transitions.
In Raeda Saadeh’s photography series “Great Masters,” the artist challenges four well-known Western paintings. Aida Nasrallah writes about the works of one of the most interesting Palestinian artists, delineating the way Saadeh makes space for herself as an artist and a Palestinian woman who voices her political protests.
In the group exhibition Constelação Clarice we can see, for the first time, Clarice Lispector’s writings situated within the art scene of her time. Hannah Bruckmüller reviews the exhibition that has taken place at IMS Paulista in São Paulo, where she finds the egg that is the beginning.
The artist Shasha Dothan has recently curated a virtual show of works addressing the sense of alienation experienced by immigrants, of which she is one. Hagai Ulrich spoke with her about the show and her works, in which she rows a canoe across her living room, invites a male stripper to an apartment, and erects a tent-installation where she hosts works by immigrant women.
Before it arrived to the Tel Aviv Museum of Art, Yayoi Kusama's retrospective was shown at Gropius Bau in Berlin. Michal B. Ron visited the Berlin show and shares her thoughts on reflection, reconstruction, art history, and letters against apartheid.
The colors jostled on the clothes line, and she was glad she had taken down the black.
The 6th Athens Biennale expressed the need for an urgent new self-identification of the confused contemporary community, either in local or in international terms - an urgent need of a new “revolution” that would define the 21st century. Christos Paridis writes about the exhibition, which he describes as an adult playground for those who are seeking questions or answers to present and future nightmares.
“An author who had taken testosterone as a drug in a philosophical self-experiment that she documented in a book - it shook me up so much that it wouldn't leave my mind." Michal B. Ron and Hannah M. Bruckmüller discuss naming, sexuality, fables, giving birth and giving death, in response to Paul B. Preciado’s Testo Junkie.
Hadeel Abu Johar travels roads and lanes of near memory, hinting at what is beyond, asking questions about the tension between the image and the event and about the human search for a place and its meaning.
"From a local perspective, 'A Good Neighbour' brought hope to an art scene wrapped in a dark curtain." Hou Rf reviews the 15th Istanbul Biennial, curated by artist duo Elmgreen & Dragset.