Michal B. Ron is a theorist and a PhD candidate at the Free University of Berlin, writing her dissertation on temporality in the work of Marcel Broodthaers in relation to historical thinking, the animal and the child
Michal B. Ron
A depressing human condition resolved with grand gestures of politics, sentimentality, fashion, and merchandise. Michal B. Ron writes about documenta 14 in Kassel.
“Welcome to the post-contemporary,” say the DIS collective, curators of the 9th Berlin Biennale, with the hospitality of border control. Michal B. Ron shares her impressions of the biennial in a new critique for Tohu Magazine.
Michal B. Ron looks for eggs and feathers in Marcel Broodthaers's retrospective at MoMA
Producing some of the wittiest artistic pranks in sculptures, installations, photography, and video works, in an ever more pompous art world, Fischli/Weiss have always advocated wild thinking. Michal B. Ron writes about the duo's major retrospective exhibition at the Guggenheim.
Did this year’s posthumous attempts at exhibiting Marcel Broodthaers's work rise to the challenge? Would his future retrospective at MoMA? Michal B. Ron is tackling these questions and their inherent paradox.
The opening days of the 14th art biennial in Istanbul were haunted by a child’s ghost, three-year-old Aylan Kurdi, who had drowned during his fatal journey, fleeing Syria. Michal B. Ron on the Istanbul Biennial