photography

Shai Ignatz: Photography Column

#18

  • 16/09/18

Obvious Artifice

"Pre-Israeli Orientalism: A Photographic Portrait", written by Dor Guez, focuses on a photographic genre from the early decades of the twentieth century as a local, unique, and complex case of visual Orientalism. Hagai Ulrich reviews the book and suggests broadening the conversation through the values and characteristics of performance art.

Shai Ignatz: Photography Column

#17

  • 21/04/18

Shai Ignatz: Photography Column

#16

  • 05/02/18

Shai Ignatz: Photography Column

#15

  • 28/11/17

Metaphoric Sites

In the midst of the general lack of commitment of the central exhibition of the Venice Biennale this year, Avi Lubin visits three significant and interesting projects that offer metaphoric sites and spaces for experimentation and cooperation.

Beloved Country

Orit Ishay's comprehensive show at the Prague City Gallery includes images of bomb shelters, military uniforms, mourning rituals, woman soldiers, and a scrapbook of local dried flowers that had been given to General Allenby. It seems that the entirety of activities Ishay engages in creates an interesting critical course in which information loses its content and reality sheds its substance.

Shai Ignatz: Photography Column

#14

  • 13/08/17

Shai Ignatz: Photography Column

#13

  • 12/05/17

Coded Information

Over the past thirty years, Miki Kratsman has been active as an artist, photojournalist, investigator, and archivist. Hagai Ulrich reviews his new book, the result of collaboration with curator and scholar Ariella Azoulay. The book examines the way in which photography can turn individuals into ultimate suspects.

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