A play of accuracy and doubt, Walid Raad’s MoMA retrospective manifests the artist’s distinctive way of relating the affects of war. Naomi Lev visited and took the walkthrough
How does the tool, the instrument, change from an object to a work of art? How does it cancel itself (as an industrial object) and acquire new identity and meaning? Aim Deuelle Luski on the idea of ManApparatus and on the digi-image, following Matan Mittwoch’s show at the Dvir Gallery.