A mother screams as her baby is wrenched from her arms; a sex fest featuring Canada's founding fathers and various forest animals; and Miss Chief – a powerful, sexy, transgender indigenous figure in traditional attire, beads, and feathers. Liora Belford visits "Shame and Prejudice: A Story of Resilience," the travelling exhibition of the work of artist Kent Monkman, who wonders where are the painters who have documented the hunger, the poverty, the pain, and the annihilation of a whole culture.
art and activism
In light of the recent criticism of documenta 14 and the Venice Biennial, Noah Simblist returns to the book/magazine issue “Curating Critique,” to comment on whether and where curating and criticality might meet today.
What do recent accounts of institutional cultural practice in the Middle East offer to further the understanding and the development of contemporary cultural production in the region, and what do they fail to address? Lama Suleiman reviews the latest volume in the ongoing Ibraaz publication series on visual culture in the Middle East and North Africa
“The work of the photojournalists’ collective Activestills does not settle for reflecting the grim reality by providing representations of it, but offers a more active mode of photography that joins the protests of the struggling communities being photographed.” Nadeem Karkabi reviews the recently published book that covers a decade of Activestills’ collective photo-activism.