In light of the recent criticism of documenta 14 and the Venice Biennial, Noah Simblist returns to the book/magazine issue “Curating Critique,” to comment on whether and where curating and criticality might meet today.
A depressing human condition resolved with grand gestures of politics, sentimentality, fashion, and merchandise. Michal B. Ron writes about documenta 14 in Kassel.
A message from Europe’s past that resonates in Europe’s present makes a powerful opening political statement of documenta 14. Christos Paridis visits the world-famous exhibition and finds the decision to open it this year in Athens before Kassel more than just a colonial project of the German art scene.
Did this year’s posthumous attempts at exhibiting Marcel Broodthaers's work rise to the challenge? Would his future retrospective at MoMA? Michal B. Ron is tackling these questions and their inherent paradox.