void

Memory Pictures #7

Hadeel Abu Johar offers a reductive view, fiercely poetic, of a surreal reality – the relationship of the colonialist with the concept of banality in the face of shame. Salma, the house, the memory, the universe, the reader, the ordinary viewer confronted with the colonialist, shameless to the point of banality. Surrealism is the name of the game here, and reality is ruled by countless questions that are no less surreal.