Meital Katz-Minerbo visited the Dublin retrospective exhibition of the work of Derek Jarman, a well-known queer filmmaker, visual artist, AIDS activist, and gardener, who had been marginalized for being openly gay and HIV positive. Following the stirring event, she recalls her first encounter with Jarman's work, five years ago, and her visit to the garden he has tended in his home in Dungeness, in the county of Kent, England.
Did this year’s posthumous attempts at exhibiting Marcel Broodthaers's work rise to the challenge? Would his future retrospective at MoMA? Michal B. Ron is tackling these questions and their inherent paradox.
The Agro-Art exhibition, curated by Tali Tamir at the Petach Tikva Museum of Art earlier this year, explored local agriculture’s representation in contemporary art. This essay expands the discussion on the difference between gardening and agriculture and focuses on the relationships between agriculture, territory, and biography.
The opening days of the 14th art biennial in Istanbul were haunted by a child’s ghost, three-year-old Aylan Kurdi, who had drowned during his fatal journey, fleeing Syria. Michal B. Ron on the Istanbul Biennial
Early in the summer of 2015, Robert Irwin returned to Dia:Beacon to erect an installation he has created in 1998, in a location where he himself designed both the building and its surroundings. However, the new reincarnation of his installation, Excursus, reveals more than Irwin’s long history of visual exploration.