In the sixth episode of his travels, Mendelovitch lands in the besieged city of Asscre. He escapes the battle and ends up at the foot of Mount Tabor.
In anticipation of "Hēliotropion," Tamar Getter's exhibition recently on display at the Mishkan Museum of Art, Ein Harod, H.S.L.R. talked with her about horses and other matters that preoccupy her in her work: painting stoppages, idealization, and painting as a "machine," immobile.
Ido Bar-El in Kibbutz Baram, Israel Kabala in Tel Aviv, Niv Tishbi in Jaffa, and Tamar Sheaffer in Haifa. Revital Lessick wanders and reacts through drawings
Revital Lessick visits Pinchas Cohen Gan’s studio, Avital Geva’s Ecological Greenhouse in Kibbutz Ein-Shemer and the exhibitions of Louise Bourgeois and Atalia Shachar in Tel Aviv
In Richard Deacon's comprehensive solo show at the Prague Municipal Gallery, to see the large-scale sculptures viewers must get close, bend down, crane their necks upward, focus on the small details, and then again step back and look at the whole work. These exploratory actions that the viewers perform with their bodies and their movement through space have led Hagai Ulrich to try to understand how Deacon manages to physically express ideas, symbols, and signs that cannot be realized in time and space.
As part of a new joint initiative of Kadist and Tohu Magazine to publish video interviews, Elinor Salomon talks with Elham Rokni about reconstruction and memory, biography and history, Orientalism and men with a Middle Eastern appearance.
Michel Nassar in conversation with Haitham (Charles) Haddad on his work process and his take on gender, fashion, religion and technology.