David Duvshani talks with Raymond Pettibon about politics, nostalgia, baseball, and drawing, on the occasion of Pettibon’s exhibition “And What is Drawing For,” currently at the Tel Aviv Museum of Art.
Her daughter had painted the view that was hanging outside the window
Of the house that was not her original one.
Gvul (Border) Gallery in Kibbutz Hanita, Hansen House in Jerusalem, Art Gallery at the Memorial Center Tivon, and Beit Hankin Museum in Kfar Yehushua: Revital Lessick in another round of drawing reactions.
A concrete beach at Gate 3 gallery in Haifa, Code vs. Code and Hiroshi Sugimoto at the Tel Aviv Museum, and Jonathan Hirschfeld at Givon Galley. Revital Lessick returns from another gallery tour with a new series of reaction drawings.
In the seventh segment of his travels, Mendelovitch climbs to the top of Mount Tabor. At midnight, he encounters a growling bird that opens for him a new chapter in his search for the Queen.
A carpet made of concrete, a ripped duvet, and toy soldiers scattered across a single bed. East of Elsewhere's “While You Were Sleeping” housed a collection of domestic furnishings distorted and deconstructed to reflect the consequences of conflict seeping into everyday life.
From North America to the north of Israel, Revital Lessick presents another series of reaction drawings following a gallery tour in New York, Toronto and Haifa.
Avner Ben Gal at Givon Gallery, Ron Arad at Gordon Gallery and Neta Cohen at Artspace Tel-Aviv. Revital Lessick presents another series of reaction drawings following a gallery tour in Tel Aviv
In the sixth episode of his travels, Mendelovitch lands in the besieged city of Asscre. He escapes the battle and ends up at the foot of Mount Tabor.
In anticipation of "Hēliotropion," Tamar Getter's exhibition recently on display at the Mishkan Museum of Art, Ein Harod, H.S.L.R. talked with her about horses and other matters that preoccupy her in her work: painting stoppages, idealization, and painting as a "machine," immobile.