Absence, Speculation, Text

"I must build a 20-meter-long bridge, made of words, to the mystery works by Amos Groswagel, assuming they are where they should be." Shai-lee Horodi writes from a distance about Amos Groswagel's show at Livluv 24 Gallery in Tel Aviv.

In Search of Critical Curating

In light of the recent criticism of documenta 14 and the Venice Biennial, Noah Simblist returns to the book/magazine issue “Curating Critique,” to comment on whether and where curating and criticality might meet today.