How is Palestine represented in contemporary art, and how do Palestinian artists deal with the notions of memory and the past? Larissa Sansour raises in her work many questions concerning ideas of sanctity, homeland, and memory, in a manner that helps turning them into an illusion. In an analytical review and an in-depth critical gaze, scholar Housni Alkhateeb Shehada presents a broad picture of the place, the dialogue, the memory, and the conflict the figures are experiencing in the work recently presented by Sansour, in the Danish Pavilion, at the 58th Venice Biennale.
In her on-going multidisciplinary project, "The Road to Ein Harod," Efrat Galnoor tracks the journey undertaken by Raffi, the protagonist of Amos Kenan's novel with the same title. In a series of exhibitions and events, she raises political questions about borders and freedom of movement, and looks reflexively at the way space is constructed by way of stains – an act that questions not only what you look at, but how.
In Eyal Weizman’s new book, the reader joins the author as he hovers over contested territories in the Middle East, follows him as he traces the histories, ideologies, slippery borders, technologies, and narratives involved in the State-inflicted marginalization and displacement of the Bedouin inhabitants of the Negev desert, in Southern Israel. Rotem Rozental reviews “The Conflict Shoreline,” as well as Weizman’s methodology of forensic visual culture research.