Rula Jiryis spoke with the Palestinian artist Lamees Khoury about belonging and identity, memory and intuition, and how form, voice, and movement appear in her artworks.
Wisam Gibran offers a broad reading of the life work of the late Palestinian artist Ayman Safiah. He examines how the body becomes a site speaking the language of freedom, and dance disrupts all that is familiar with its courageous details; he delves into the issue of freedom, gauging the boundaries of the self and its collapse.
Can it be that Ludwig Wittgenstein's Philosophical Investigations is not a book, but a restless musical album? Michal Sapir outlines a path for reading and interpreting the writings of Ludwig Wittgenstein that meanders through music, literature, wooly clouds, crossroads, sea horses and ethics.
In the midst of the general lack of commitment of the central exhibition of the Venice Biennale this year, Avi Lubin visits three significant and interesting projects that offer metaphoric sites and spaces for experimentation and cooperation.
Orit Ishay's comprehensive show at the Prague City Gallery includes images of bomb shelters, military uniforms, mourning rituals, woman soldiers, and a scrapbook of local dried flowers that had been given to General Allenby. It seems that the entirety of activities Ishay engages in creates an interesting critical course in which information loses its content and reality sheds its substance.
What is it about a book that makes it a metaphor for the subject? Why do we want to identify with a book, to become a book? Liran Razinsky writes for Tohu about the fetishistic aspect of books and the relationship of books to the subject and the human body, as represented in “Bi-bli-o-logia: The Book as Body,” an exhibition at the Petach Tikva Museum of Art.