How does the void become responsible for fullness in art? The Iraqi artist Safa'a Salem Iskander uses the void as a technique and an essential tool in his work in a manner that gives value to the idea of fullness in art.
The artist Shasha Dothan has recently curated a virtual show of works addressing the sense of alienation experienced by immigrants, of which she is one. Hagai Ulrich spoke with her about the show and her works, in which she rows a canoe across her living room, invites a male stripper to an apartment, and erects a tent-installation where she hosts works by immigrant women.
How is Palestine represented in contemporary art, and how do Palestinian artists deal with the notions of memory and the past? Larissa Sansour raises in her work many questions concerning ideas of sanctity, homeland, and memory, in a manner that helps turning them into an illusion. In an analytical review and an in-depth critical gaze, scholar Housni Alkhateeb Shehada presents a broad picture of the place, the dialogue, the memory, and the conflict the figures are experiencing in the work recently presented by Sansour, in the Danish Pavilion, at the 58th Venice Biennale.