Ayelet Zohar

Great Crescent: Art and Agitation in the 1960s – Japan, South Korea, and Taiwan

 “We are art terrorists,” announced Katō Yasuhiro, who headed the Zero Dimension group in the 1960s. The declaration accurately represented the Zeitgeist and the volatile atmosphere opposite the political establishment, as well as the art establishment, which has pervaded Japan in the 1960s. Ayelet Zohar on an exhibition surveying the avant-garde in Japan, Korea, and Taiwan during that period.