memory

The Body as an Unresolved History: On the Works of Artist Samah Shehadeh

With precise lines and minimalistic visual language, Samah Shehadeh presents the Palestinian female body as a charged space of memory, rupture, and contemplation. Drawing with charcoal, a black and raw material, embodies an artistic act that exists on the seamline between erasure and exposure. The body in her work is not a closed representation but a continuous movement, silent yet present, exposing questions that representation cannot resolve.

Exploding Contexts: The Locks of Fatoş İrwen

Between the years 2017 - 2020 the kurdish artist Fatoş İrwen from Diyarbakır was imprisoned for demonstrating against state violence and gender inequality. In the darkness of her prison cell, once vanished from public sight, she worked with the material that gives form to her artistic practice, her own hair.

A Gazan Memory for Forgetting

For Mahmoud Darwish, while memory serves as a tool of resistance against the erasure of existence, it also represents another form of symbolic death for identity and history. This is because it enforces a kind of stagnation and immersion in old pain, trapping the individual in a cycle of grief and reflection on past losses. In his reading of "Memory for Forgetfulness," Ra'ad Abu Sa'ada questions, as a Gazan, the role of memory in the ongoing Palestinian struggle and in the collective Israeli identity, with a view toward the Holocaust, the besieged Beirut of 1982, and Gaza today.

Between Forgetting & Remembering

Imagine, dear reader, waking up each day without a memory of those around you. Amir Nassar’s literary navigations meander between the total recall of Borges’s Funes the Memorious and the complete forgetfulness of diving into Lethe, river of the underworld. Is a life where one never forgets worth living?

Palestinian Collective Memory: Present-Oriented and Forgotten

For Palestinians living in historic Palestine and for those referred to as "Palestinian refugees," the Nakba (Catastrophe) of 1948 never ended. This memory shapes Palestinian identity, but is it a lack of narrative that has existed for decades? Nour Saed analyzes factors inhibiting Palestinian society from investing in the arts while emphasizing the importance of storytelling and documenting a national experience versus forgetfulness.

Memory Pictures #8

Many questions arise when you think about memory, names, the absence of names, questions that essentially rest on senses and spontaneity, which determine our relation to love, hate, intimacy, abandonment, hunger, fear, memory.

 

Pages