The artist Shasha Dothan has recently curated a virtual show of works addressing the sense of alienation experienced by immigrants, of which she is one. Hagai Ulrich spoke with her about the show and her works, in which she rows a canoe across her living room, invites a male stripper to an apartment, and erects a tent-installation where she hosts works by immigrant women.
Neither Here nor There: The Voice of Young Arab Women on the Border Line Between Perilous Identities
In A Place of Our Own, Iris Hassid's new photography project, she reveals the lives, the questions, and the old/new dilemmas of Arab identity within the state of Israel. This time, it is from a woman's point of view. She documents the divided lives and the search for a "third space" that would reconcile those identities.
The musician, artist, and poet Wisam Gibran suggests a socio-cultural reading of four works by the Palestinian artist Hannan Abu-Hussein's - Agina (Dough), Pouring the Oil, Bukjia (Bundle), In Between the Destruction of the Father - as representatives of inner worlds reflecting art's association with the cycle of life and death, movement and stillness, the sacred and the forbidden, the presence and the absence.
In this Tohu Podcast, David Duvshani meets performance and social practice art pioneer Mierle Laderman Ukeles in Jerusalem for a conversation following her move to Jerusalem and her latest retrospective exhibition at the Queens Museum in New York. They talk about manifestos, authenticity, collaboration, art education, women artists, labor organization, life in Jerusalem, and the state of the political Left in the US and in Israel/Palestine.
The 6th Athens Biennale expressed the need for an urgent new self-identification of the confused contemporary community, either in local or in international terms - an urgent need of a new “revolution” that would define the 21st century. Christos Paridis writes about the exhibition, which he describes as an adult playground for those who are seeking questions or answers to present and future nightmares.
“There is no curatorial passivism, any more than there is a passivist war.” Michal B. Ron reviews Maura Reilly’s book Curatorial Activism: Towards an Ethics of Curating and adds a note about the heroless politeness of the recent Berlin Biennial.
Moving across New York and San Francisco, Paris and Munich, Accra and Lagos, artist and scholar Malik Gaines’s Black Performance on the Outskirts of the Left: A History of the Impossible offers a lively and affirmative account of stage, dress, film and television, and music performance. Saadi Nikro reviews Gaines’s recently published book, discussing its many intersections of race, theatricality, subjectivity, and sexuality.
“An author who had taken testosterone as a drug in a philosophical self-experiment that she documented in a book - it shook me up so much that it wouldn't leave my mind." Michal B. Ron and Hannah M. Bruckmüller discuss naming, sexuality, fables, giving birth and giving death, in response to Paul B. Preciado’s Testo Junkie.