Lamees Khoury is an artist living and working in the UK, born into a Palestinian family in Nazareth. The most impactful of her life experiences was teaching arts at refugee camps in Palestine. Although her artwork shows multiple levels of interests, Lamees is never reluctant to explore life with a twist of naivety and childlike acts.
The artist Shasha Dothan has recently curated a virtual show of works addressing the sense of alienation experienced by immigrants, of which she is one. Hagai Ulrich spoke with her about the show and her works, in which she rows a canoe across her living room, invites a male stripper to an apartment, and erects a tent-installation where she hosts works by immigrant women.
Before it arrived to the Tel Aviv Museum of Art, Yayoi Kusama's retrospective was shown at Gropius Bau in Berlin. Michal B. Ron visited the Berlin show and shares her thoughts on reflection, reconstruction, art history, and letters against apartheid.
How can the constant bombardment of shock and emergency and suffering in our world be harnessed as a source of power and collective strength? How do we act and unite in a world that constantly isolates and shocks us, destroying the very ecological and social systems in which we survive? Post Brothers examines how dissociated social interactions are translated into value and yellow coal channels emotions as a form of power.
After their collaborative project “Cat Chat,” discussing the interview Marcel Broodthaers conducted with a cat, Michal B. Ron initiates an online studio visit at Noa Ginzburg’s studio, with Hannah Bruckmüller. They talk about the idea of Radical Coziness, domesticity, extra ocular objects, and jumping in public places.
In an era of social distancing, an exhibition about ecology turns into a meditation on human connections. Michal B. Ron reviews the recent “Down to Earth” exhibition at Gropius Bau.
In the third chapter of her column, Goni Riskin takes advantage of the easing of the restrictions to make a series of portraits, with styling and makeup. As a precaution, she works on a rooftop, in natural light and open air. She uses a no-contact thermometer to take the temperature of her sitters, the makeup artist, and herself. She keeps the styling down to clothes from the sitters' closets, with outside loans of items when absolutely necessary.
Goni Riskin joined a residency program at Arthura – a new center for art, design, and community in Emek Hefer (Hefer valley), in central Israel. She has chosen to take mostly pictures of the elderly population, in an attempt to understand how to create interaction while maintaining social distancing and wearing masks and gloves.
In her new column, Goni Riskin looks at how she might continue to photograph under the coronavirus restrictions. In the first installment she creates a series of portraits while trying to observe the rules, which are often not entirely clear: stay within a 100-meters range from home, and then it's 500 meters; maintain a distance of two meters from other people; avoid entertaining at home people who do not live there.
Wiki information, personal insights, spoken word poetry, rap, and video samples coalesce into this audiovisual essay by Yoav Ruda. Dealing with cultural and social evolution in light of the COVID-19 pandemic, the artist mixes all of these ingredients to portray the critical moment we live in, and to call for positive action.