Rula Jiryis spoke with the Palestinian artist Lamees Khoury about belonging and identity, memory and intuition, and how form, voice, and movement appear in her artworks.
Saadi Nikro writes about Michael Baers’s recent work capturing the invisible mechanism of an impending disaster - the FSO Safer oil ship, abandoned off the coast of Yemen.
The digital Messiah will yet be sent, and he will toy with us throughout our lives.
Ammar al-Beik’s film The Sun’s Incubator offers a destabilizing, non-linear view of the Arab revolutions from a domestic setting. Margherita Foresti analyses the film’s complex temporality, manifested mainly through the motif of the TV screen.