documenta 14

Likeconomy War Piece

Despite the nausea she felt at the thought of the war economy, Michal B. Ron writes from this perspective about the summer exhibitions in Berlin. The exhibitions by Yoko Ono and Lygia Clark offered opposite ways of participating in art, one of which is no different from marking a 'like.' So, can marking a like end a war? Or does the like actually feed off it?

In Search of Critical Curating

In light of the recent criticism of documenta 14 and the Venice Biennial, Noah Simblist returns to the book/magazine issue “Curating Critique,” to comment on whether and where curating and criticality might meet today.