
Collective Forgetting: Permission to Forget
The editorial tracks the dual axis on which the issue rests: remembrance and forgetting. When erasure will never be complete, and forgiveness is not possible, what can collective forgetting offer?
The editorial tracks the dual axis on which the issue rests: remembrance and forgetting. When erasure will never be complete, and forgiveness is not possible, what can collective forgetting offer?
In 2017, Zehra Doğan was sentenced to two years and 10 months in prison for “terrorist propaganda and inciting hatred.” An artist and journalist, it was Doğan’s painting of the city of Nusaybin in ruins, adorned by Turkish flags, that led to her arrest. Charlotte Bleicher writes about the artist’s prison works, Hidden Drawings, which have been introduced to the public in the last Berlin Biennial.
"Köfte Airlines retraced a trail uncannily similar to that of its subject, from Germany to Turkey and back along a zigzag of uprooted expectations." Matt Hanson writes about Halil Altindere's work in the context of the refugee crisis, as well as the effects of the current oppressive political climate in Turkey on artists and cultural practitioners.