art and politics

Editorial

The show "Stolen Arab Art" that recently opened in Tel Aviv is tainted by exploitation, ignorance, incoherence, and impersonation. The organizers blatantly disregard the will of the chosen artists not to show their work in Israel. The members of Tohu's editorial board object to the patronizing act perpetrated under the guise of enlightenment and dialogue.

Emergency Takeoff: on Halil Altindere’s Köfte Airlines

"Köfte Airlines retraced a trail uncannily similar to that of its subject, from Germany to Turkey and back along a zigzag of uprooted expectations." Matt Hanson writes about Halil Altindere's work in the context of the refugee crisis, as well as the effects of the current oppressive political climate in Turkey on artists and cultural practitioners.

Relinquishing Freedom (Willingly) to the White Man

A mother screams as her baby is wrenched from her arms; a sex fest featuring Canada's founding fathers and various forest animals; and Miss Chief – a powerful, sexy, transgender indigenous figure in traditional attire, beads, and feathers. Liora Belford visits "Shame and Prejudice: A Story of Resilience," the travelling exhibition of the work of artist Kent Monkman, who wonders where are the painters who have documented the hunger, the poverty, the pain, and the annihilation of a whole culture.

Obvious Artifice

"Pre-Israeli Orientalism: A Photographic Portrait", written by Dor Guez, focuses on a photographic genre from the early decades of the twentieth century as a local, unique, and complex case of visual Orientalism. Hagai Ulrich reviews the book and suggests broadening the conversation through the values and characteristics of performance art.

Looking for Neighbors

"From a local perspective, 'A Good Neighbour' brought hope to an art scene wrapped in a dark curtain." Hou Rf reviews the 15th Istanbul Biennial, curated by artist duo Elmgreen & Dragset.